Airdate: 1/22/81
Arlington Westcott, a new character on Waltons Mountain,
picks up Jim-Bob in his car, before finding out his brakes are shot. After
overturning, he is placed under the nursing care of Mary Ellen, and the two
develop a whirlwind romance. At issue are his free-spirited plans of “seeing
the world” (he had just gotten home from the war) contrasting her plans to
continue pre-med and stay on the mountain. Ultimately, agrees to put her plans
on hold and go with him, but unexpected news arrives: a woman from Florida
claims to have seen Curt Willard, Mary-Ellen’s “dead” husband. Riddled with
anxiety and uncertainty, she goes down to see if it really is him. To be
continued…
Another milestone: Jason buys the Dew Drop Inn (with what money?), but noone seems to be on his side. Only after guilt, and seeing a drunk Jason thrown in the towel, do they help him spruce the place up – in time for a gala reopening!
Curtis Willard still alive? Really? If nothing else displays
how soapy, and desperate, the show had gotten in its last season, this would be
it. Turning a poignant, memorable death into a ratings gimmick would
unconscionable for any show, let alone The
Waltons. It takes away a big part of Mary Ellen’s identity as well – now
she’s not a widow, just an “I though I was” widow. Pretty lame.
We’re getting a lot of new, subordinate cast embers now,
mostly in the form of Walton spouses/love interests –most of them will play big
parts n the rest of the seasons and reunion movies. Westcott is affably
portrayed by veteran actor Richard
Gilliland – his and Mary Ellen’s “goodnight kiss” scene at the mill is both
classy and sultry, and complemented will by a beautiful new score I’ll dub
“Mary Ellen and Arlington’s Theme” (catchy, huh?).
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