Airdate: 1/22/81
Arlington Westcott, a new character on Waltons Mountain,
picks up Jim-Bob in his car, before finding out his brakes are shot. After
overturning, he is placed under the nursing care of Mary Ellen, and the two
develop a whirlwind romance. At issue are his free-spirited plans of “seeing
the world” (he had just gotten home from the war) contrasting her plans to
continue pre-med and stay on the mountain. Ultimately, agrees to put her plans
on hold and go with him, but unexpected news arrives: a woman from Florida
claims to have seen Curt Willard, Mary-Ellen’s “dead” husband. Riddled with
anxiety and uncertainty, she goes down to see if it really is him. To be
continued…

Curtis Willard still alive? Really? If nothing else displays
how soapy, and desperate, the show had gotten in its last season, this would be
it. Turning a poignant, memorable death into a ratings gimmick would
unconscionable for any show, let alone The
Waltons. It takes away a big part of Mary Ellen’s identity as well – now
she’s not a widow, just an “I though I was” widow. Pretty lame.
We’re getting a lot of new, subordinate cast embers now,
mostly in the form of Walton spouses/love interests –most of them will play big
parts n the rest of the seasons and reunion movies. Westcott is affably
portrayed by veteran actor Richard
Gilliland – his and Mary Ellen’s “goodnight kiss” scene at the mill is both
classy and sultry, and complemented will by a beautiful new score I’ll dub
“Mary Ellen and Arlington’s Theme” (catchy, huh?).
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